A car’s headlights are left on as it sits in the middle of the estate filling and billowing with red smoke. Operatic score projects from the top floor walkway. Philip Ewe 'don't shoot the messenger (II)', as part of 'Capital I', Bede House, London. 2017
'HG x JD' by Hannah Gregory; a diaristic interview with artist Jesse Darling, evolving over last autumn around ideas of love, community and communion; 'On Navigating a Legacy of Song' by Phil Owen, exploring private domestic singing and the continuum of influence in traditional song and '(becoming) tumbleweed' by Daisy Lafarge; both an extended meditation on the missing link of dividuation as a possible corrective to individualism, and a case study of staying at The Shakespeare & Co.